Monday 14 Jan To Sunday 20 Jan 2008
14
Meeting: General Meeting
14 Jan 2008, 6 p.m.
15
No Events Scheduled
15 Jan 2008
16
Film: Maria Full Of Grace (2004)
16 Jan 2008, 7:30 p.m.
Cantina Latina! Goes to Colombia. Maria, a 17-year-old young woman, takes drastic measures to escape her mundane life in a rural Colombian town.
17
Film: The London Nobody Knows + What Have You Done Today, Mervyn Day?
17 Jan 2008, 7 p.m.
The 1967 film "The London Nobody Knows" shows the capital how it really is. It helped inspire Saint Etienne's 2006 film "What Have You Done Today, Mervyn Day?"
17
Meeting: General Meeting
17 Jan 2008, 9 p.m.
18
Film: The London Nobody Knows + What Have You Done Today, Mervyn Day?
18 Jan 2008, 1 p.m.
The 1967 film "The London Nobody Knows" shows the capital how it really is. It helped inspire Saint Etienne's 2006 film "What Have You Done Today, Mervyn Day?"
18
Meeting: General Meeting
18 Jan 2008, 2:30 p.m.
18
Festival: Exhibition "The Golden Age Of British Football Programmes"
18 Jan 2008, 6 p.m.
Beautiful and funny covers of football magazines from the 70's, chosen by the band Saint Etienne. Alan
18
Film: This Is Tomorrow (2007)
18 Jan 2008, 8 p.m.
In exclusivity at the Star and Shadow cinema, and as part of a limited tour, we will be showing Saint Etienne's new film, This Is Tomorrow. Members of the band will be present to talk about the film, and they will be DJ'ing until midnight afterwards especially for you!
19
No Events Scheduled
19 Jan 2008
20
Film: This Is Tomorrow (2007)
20 Jan 2008, 5:30 p.m.
In exclusivity at the Star and Shadow cinema, and as part of a limited tour, we will be showing Saint Etienne's new film, This Is Tomorrow.
20
Film: Two Films From Straub And Huillet (1963 And 1965)
20 Jan 2008, 7:30 p.m.
A rare opportunity to see two short works by French-born, Italian-based mavericks Jean-Marie Straub and Danièle Huillet, who made rigorous and intellectually stimulating films between 1963 and 2006. Tonight we will be showing their first film Machorka Muff (1963), and Not Reconciled (1965), which has been described as “maddeningly opaque and fragmented, yet abstractly intriguing and curiously resonant”.