Stromboli (1950,)

Part of the Italian Neo Realism
Director: | R Rosselini, Italy, PG |
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Certificate: | Unknown |
Length: | |
Format: | 35mm |
Language: | |
Country: |
A beautiful woman (Ingrid Bergman, desperate to escape her miserbale life in post-war Europe, marries a young Italian soldier - a fisherman from the mediterranean island Stromboli. Upon arrival, she realizes that this decision means leading a life far from the one she was used to. Again, she is desperate to escape… Rosselini, bar the two main actors, uses people indigenous to the island as his cast. Its reception in America prompted then president Edwin C Johnston to exclaim "The degenerate Rosselini has deceived the American people with an idiotic story of a volcano and a pregnant woman. We must protect ourselves against such scourges."
Other films in the Italian Neo Realism:

11
Film: Ossessione
11 Jan 2007, 8 p.m.
£3.50/3

14
Film: Ossessione (1943)
14 Jan 2007, 7:30 p.m.
£3.50/3

11
Film: Stromboli (1950)
11 Feb 2007, 7:30 p.m.
Our Italian Neo Realism Season continues with this classic from Rosselini.

18
Film: I Vitelloni (1953)
18 Feb 2007, 7:30 p.m.
The grandfather of 'slacker' movies,(rough trans. 'The Guys') I Vitelloni (rough trans. 'The Guys') look at their elders, see the sterile results of lives rendered bereft by tradition and "sacrifice", and naturally rebel, searching in easy hedonism for the happiness that has eluded their parents. Fellini's semi-autobiographical, second feature, shares many of the neo-realist traits of his peers, but plays tricks with them too. A bit of a forgotten masterpiece.

22
Film: I Vitelloni (1953)
22 Feb 2007, 7:30 p.m.
The grandfather of 'slacker' movies,(rough trans. 'The Guys') I Vitelloni (rough trans. 'The Guys') look at their elders, see the sterile results of lives rendered bereft by tradition and "sacrifice", and naturally rebel, searching in easy hedonism for the happiness that has eluded their parents. Fellini's semi-autobiographical, second feature, shares many of the neo-realist traits of his peers, but plays tricks with them too. A bit of a forgotten masterpiece.